Wednesday, March 28, 2012

journal 27

A lot of Emily Dickinson poems can and will be sang to the tune of some sort of people, or more specifically they can and or will be maybe sang and or sung to the tune of Amazing Grace, which is apparently a sweet sound or something. This is a very very and indisputable kind of thing that can not be questioned or any synonym to the word questioned that also exemplifies the point that is being made at this point and or the same thing that was just stated. As is known about Dickinson it can be determined that there may be a reason for this obstruction of space time. Most of her poems carry a very rhythmic beat to them that can be applied to a lot of songs, not just Amazing Grace, but a lot of them. A lot of her poems were all rhythmic in style and they liked to be in the same rhythm as most rhythmic things ever of all time. It is actually very ironic that this case of her poems mostly being in the tune of Amazing Grace is ironic because it is a very religious thing and Dickinson is not very religious at all which is ironic because it is and stuff. If one were to sing "A Narrow Fellow in the Grass" one would notice that it could be sang to the tune of Amazing Grace and stuff. That said it should also be noted that what is currently being noted is not worth noting but it is being noted so alas it must be digressed that the non noteworthy thing is being noted and stuff. It is also very interestingly noted that the theme of Gilligan's island also fits in perfectly in some to a lot to even most of that one person who is being referred to and is the entire purpose of this purposeless blog and stuff. That is all and stuff.

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